3D Models can be deformed and repeated like any other Mir surface. Choose from Mir’s library of over 60 OBJs, or easily load your own models using the new OBJ Loading Panel. 3D MODELS – Bring your motion graphics into a new dimension by using 3D models as Mir objects.Fixes projected textures rotating with geometry.Custom surface preset now retains settings when auditioning other presets.Resolves geometry breaking down on high fractal amplitudes in Windows.Improves responsiveness to projection camera name changes.Minor experience and performance improvements.Resolves curves not animating properly with fluid dynamics in Form.Improves accuracy of Split Clip Loop time sampling in Particular.Improves Shadowlet fidelity between CPU and GPU rendering.Improves playback and duration responsiveness in Designer.Performance improvement with fluid dynamics enabled on two or more instances in the same composite.What’s new in Trapcode Suite 15.0.1? Particular 4.0.1 and Form 4.0.1 Supported Geometry properties include: animation, normals, texture coordinates and transformations (rotation, position/translation and scaling). Supported Geometry properties include: animation, normals, and transformations (rotation, position/translation and scaling). c4d file 3D geometry as particle objects. Thanks to Cineware, both Trapcode Form and Mir now include Cinema 4D input, which works in different ways, since each plug-in has a different function.

There are tons of brilliant artists out there- in addition to Red Giant's and Trapcode's own support crews- who know this stuff intimately and are great resources to help a new user get started.The Trapcode Suite is a necessary part of the After Effects user's toolkit, and Toolfarm's the best place to find it, hands down. Particular was quite challenging for me to learn at first, but once I'd conquered it, I was able to leverage Form, Lux, Starglow, Shine, and Horizon almost immediately.These tools are well-loved enough by the motion design community that learning them is a breeze. The included tools- especially when used subtly in concert with one another- add so much value to any AE composition that I hardly know what I'd do without it.Having started just with Particular and cross-graded up to the Suite later on, I really appreciated how consistent each tool's interface is. Picking up the Trapcode Suite was probably the best money I ever spent since investing in the Adobe Creative Suite and becoming a motion graphics designer.

Red giant trapcode suite 15.0.1